The timeline is a space beyond the world. We can go forward and backward. We can witness every option. We can audition every word and every action. The sound waves remind me of when I spent my summers surfing in Baja. The timeline is infinite with endless space before and after. The only limit is your attention. You slowly sculpt and refine the timeline. Collecting your experiences, your influences; notes are just another method of helping you uncover your style. Consistent refinement and smoothing out. Until the Show ends and you move on.
And yet there is a discipline to it; a technical, logical component that must be respected. Without intelligent organization, you will fall into Chaos. Without understanding how the system works, you will be dependent on someone else. There are long late nights alone. The hum of the machines and your thoughts in the darkness of an abandoned office. And there will be times of great collaboration. You and your peers gathered around a conference room table, feeling like you are building the great cathedral in Köln. The Show is life because life is a show. There is nothing else. Before or afterward. So you close the door, hunch a little forward, and focus on the timeline. One cut after another. On and on forever.
Notes on Notes – Poet and junior television producer Miranda Arndt has discovered a new way to read between the lines. Frustrated by the process of receiving barely literate network notes, the highly creative Arndt went on the passive-aggressive and created poetry from prose. Armed with “feedback from network” and a sharpie, she constructs through deconstruction, eliminating the words she doesn’t need to create a new art form. Her work ranges from provocative to lighthearted, and from moving to hysterically funny. The latest creation in a long history of “found art,” Notes on Notes will challenge you to find inspiration from the mundane.
Melissa’s Wayward Home for Television Professionals – Caroline Aponte’s delightful debut novel about five reality television professionals who decide to vacation together after their show is abruptly cancelled will leave you smiling after every page. Lured by advertisements of authentically working the land in lush surroundings, the story’s main characters arrive to find their cabin is actually a shell of its former self. Though their vacation is not quite what they had imagined, these professionals find that life and love can begin again when they step away from the computer. With writing that evokes the best of Kerouac and Yates, this charming story will remind you that everyday is a chance to start anew and engage with reality.
Previously On: Portraits of the Entertainment Proletariat – This gorgeous collection of photos curated by famed art dealer Jennifer Duveen presents television production crews at their most vulnerable moments. We witness the key grip pushing a dolly at 3 am Martini Shot just called. We evidence the audio engineer gracefully considering his options wiring a scantily clad enchantress. We empathize with the Production Assistant on his fifth morning coffee run. These portraits challenge the viewer to contemplate the complex dynamic between celebrity and exploitation. By the end of this assembly even the most diehard elitist will be saying, “In Hollywood, we are all proletariat.”
The Preditor’s Dilemma: Age of the NLE virtuoso – Geoffrey Katopodis’s well articulated treatise on the problems facing professional editors in the next decade is a call to action. Katopodis argues that the duel pressures of Machine Learning and the unionization of independent story producers threatens the livelihood of the unscripted television editor and the quality of the unscripted American television series. Even if you know nothing about nonlinear editing or reality television this book is worth a read if only for seeing how Katopodis cleverly uses his background in Modern Art Symbology to comes to these conclusions in a rather unconventional fashion.